“The Chill of Lonesome,” Ernie Thacker’s debut solo album, captures the essence of traditional bluegrass with poignant, heartfelt performances that blend high-lonesome vocals with contemporary country leanings. Originally released in February 2002 by Doobie Shea Records (DSCD-2004), it was recorded in 2001 at Doobie Shea Studios and Mountainside Audio Labs, following Thacker’s tenure as lead singer and guitarist with Ralph Stanley’s Clinch Mountain Boys. The album was reissued on December 21, 2010, by Lonesome Day Records, expanding its reach in the roots music community. Produced by Tim Austin and Dan Tyminski, with audio engineering handled by Tim Austin (known for his work at Doobie Shea), the project features a crisp, intimate sound that highlights acoustic purity and emotional depth. Mastering details emphasize warm, balanced tones suited to Thacker’s soulful delivery.

The 11-track album (34 minutes) showcases Thacker on lead vocals and guitar, delivering sturdy, expressive performances rooted in his Virginia heritage. Core musicians include Dan Tyminski on guitar, baritone vocals, and harmony vocals; Ron Stewart on fiddle and banjo, providing dynamic breaks; Ben Isaacs on bass, offering steady support; and Rob Ickes on Dobro, adding resonant slides. Additional guests elevate the ensemble: Ronnie Bowman and Steve Gulley contribute rich harmony vocals, while Adam Steffey handles mandolin with precise picking. This lineup creates tight, authentic arrangements that evoke classic bluegrass while incorporating subtle modern touches.

The repertoire mixes originals and covers, exploring themes of loss, faith, and rural life: Thacker’s “The Chill of Lonesome” title track poignantly depicts loneliness; “Little Piece of Land” and “Momma Preached and Daddy Plowed” celebrate simple living; “Another Piece of My Heart” and “Your Own Brand of Misery” delve into heartbreak; gospel-tinged “Father, Son & Holy Ghost” and “Old Time Drunkard” offer spiritual reflection; traditional “Old Barn” and Bill Monroe’s “Highway of Sorrow” pay homage to roots; “Old Kentucky Home” (a Stephen Foster adaptation) evokes nostalgia; and uptempo “Whiskey and Women” adds honky-tonk flair.

Critically, the album garnered acclaim for its sincerity and musicianship. AllMusic’s Matt Fink noted Thacker’s “voice ready for contemporary country radio,” praising the balance of tradition and accessibility, though suggesting it might lack edginess for purists. 21 Slipcue.com hailed it as a “nice mix of truegrass and old-school country,” with “sharp production, bright picking, and soulful group vocals,” comparing secular tracks to Jimmy Martin. 28 Country Standard Time highlighted its “heartfelt passion,” solidifying Thacker’s solo artistry. 13 Overall, “The Chill of Lonesome” marks Thacker’s powerful emergence, blending superior ensemble work with evocative storytelling that resonates in bluegrass circles.